On the heterogeneous status of a political film

Abstract

The purpose of the paper is to reflection on the status of political film and the political status of film. It is about proposing boundary categories that can provide a theoretical basis in detailed analyzes of the film’s political core. The political nature of the films has been filtered, in the article, by the concept of circulation of meanings in the cultural circuit of Paul du Gay, Stuart Hall and others. This approach shows that the specific political significance of the film is not simply given, but is constructed and understood differently at the level of different instances of social communication: producers, creators, audiences, film critics, creators of advertising messages, etc. The author of the article assumed that the political status of the film is associated not with specific political references, but with modality of film. Two types of film were presented: as a work and social practice. It was only in this context that specific variants of the political film were ordered.